Solos and Mixtures, Incense of Music 39-41
A multisensorial festival from 10th to 12th of October
We have the big pleasure to announce a very special music and incense festival happening in the second week of October at Pandatheater in Berlin Prenzlauer Berg. In three evenings we will experience many great artists from all around the world playing mostly solo concerts of various nature and style. We will listen to European and Arabic classical, to jazz, experimental and free improvised music. Additionally we will burn incense mixtures specially conceived for the occasion.
Incense of Music Nr. 39
Thursday, 10th October 2019, 8 p.m.
Dina Bolshakova, cello; Bakr Khleifi, oud; Mevan Younes, bouzuki, Daniel Schroeteler, drums
Incense of Music Nr. 40
Friday, 11th October 2019, 8 p.m.
Valentina Bellanova, flute and recorder; Olaf Rupp, guitar; Clara Gervais, double bass; Elena Kakaliagou, french horn and voice
Incense of Music Nr. 41
Saturday, 12th October 2019, 8 p.m.
Ziad Rajab, oud and voice; Gareth Lubbe, viola and overtone singing; Hayden Chisholm, sax, voice and sruti box
PANDA Theater in der Kulturbrauerei, Knaackstr. 97, 10435 Berlin
Valentina Bellanova. I was born in Florence, where I later studied musicology and recorder. I then furthered my instrumental studies in Germany at the University of Music, Drama and Media in Hanover, where I obtained my Soloist’s Diploma. I moved to Berlin at the beginning of 2014. I have been very involved with classical Turkish and Arab music for several years now, also studying their respective aesthetics and theories. I play both the Turkish and the Arabic Ney and regularly perform these instruments in various music and theatre projects (for example as soloist in the National Theatre Thuringia, in the NDR Radio Station in Hanover, in the Kulturforum in Frankfurt (Oder), in the Komische Oper Berlin, in HAU Theater Berlin, in Stadtsorchester Braunschweig, in Kampnagel Hamburg etc.) My teachers of Ney and modal music include Ross Daly, Dr. Claudia Ott, Ömer Erdogdular, Kudsi Erguner, whereas I studied the recorder and Early Music with David Bellugi, Federico Maria Sardelli and Ulrich Thieme. In addition to working as a freelance musician, I teach Ney at the Global Music Academy Berlin and at the BTMK (Berlin Conservatoire of Turkish Music) and Recorder at SOS Berlin. I am also involved in research and publishing. For instance, I issued the first edition of Concertos for Recorder by the Neapolitan composer Nicola Fiorenza (published by Girolamo).
Dina Bolshakova was born in Tomsk, Russia. In 1992 she received her first violoncello lessons at a music school, from 2001 to 2005 she studied at the St. Petersburg Music College. Dina continued her education at the UdK Berlin, first with Prof. Catalin Ilea and since 2008 with Prof. Konstantin Heidrich. In February 2014 she finished her concert exam with honors. She attended masterclasses with Frank Helmerson, Wolfgang Boettcher, David Geringas, Ivan Monighetti, Ralph Kirschbaum, Jens-Peter Maintz and Bernard Greenhouse; participated in various music festivals, eg. B. HARMOS Festival in Porto (2010) and Encuentro Santander (2011), IMS Prussia Cove (2013), ISA 2014, Lucerne Festival Academy (2016) and played chamber music u. a. with Zakhar Bron, Ingolf Turban, Wilfried Strehle, Radovan Vlatkovic, Claudio Martinez Mehner. As a soloist as well as a chamber musician, the cellist has repeatedly won prizes in national and international competitions. a. 3rd Prize at the Domenico-Gabrielli Violoncello Competition in Berlin (2007), Special Prize at the International Bucchi Competition (2011, Rome). She played as a soloist, among others, the cello concerto by A. Dvorak with the Baden-Baden Philharmonic and the Samara Philharmonic, Emil Hartmann’s Cello Concerto with Havel Symphoniker (December 2014, Berlin). During her studies Dina was a scholarship holder of the Paul-Hindemith Society, the Foundation Villa Musica Rheinland-Pfalz and the Ottilie-Selbach-Redslob-Foundation. In 2012/13 the cellist had a temporary contract as deputy principal cellist with the Tampere Philharmonic Orchestra.
Hayden Chisholm was raised in New Plymouth, New Zealand, by parents Heather and Doug Chisholm. His first musical experiences came with local Dixieland bands. He began playing clarinet at age nine before switching to what became his primary instrument, the alto saxophone, two years later. The early influences of Johnny Hodges, Sun Ra, Eric Dolphy were strong, being his first jazz records. He was a member of the award-winning New Plymouth Boys’ High School Jazz band and won the prize for Most Outstanding Jazz Musician at the National Jazz Festival in Tauranga, 1991. With a DAAD scholarship Chisholm attended the Musik Hochschule in Cologne, Germany. He studied saxophone with Frank Gratkowski. In 1997 he received the New Zealand Young Achievers Award which enabled him to continue his studies abroad. During these years he also studied Carnatic music in Chennai and travelled extensively in the Balkans learning the different musical traditions. During his studies in Cologne Chisholm developed a system of micro-tonal fingerings for saxophone and so called “split-scales” which he presented on his 1996 debut solo CD Circe on Jazzhaus Musik. These scales split perfect intervals using quarter tones. His microtonal work was later featured on the Root70 album Root70 on 52nd 1/4 Street which received the German Critics Award. During his studies in Cologne he met many musicians he still collaborates with today including Marcus Schmickler, Nils Wogram, John Taylor, Felix Fan, Adrian Brendel, Burnt Friedman, Jochen Rückert, Burnt Friedman, Antonis Anissegos, Jaki Liebezeit, Claudio Bohorquez. He also worked under Mauricio Kagel who was then professor for composition. Hayden Chisholm, Moers Festival 2007 Since 2000 he has collaborated with the German artist Rebecca Horn. His work with her is wide-ranging, from composing the music for major site-specific installations “Moonmirror” (Mallorca, 2003), “Lumiere en Prison” (Paris, 2002), Spiriti de Madre Perla” (Naples, 2002), “Twilight Transit” (NYC 2004), Heart Shadows (Lisbon, 2005), “Das Universum in einer Perle” (Berlin, 2006), to recomposing the music for her early performance films which was released on a complete DVD set in 2005. In 2008 he worked as assistant director with Horn for the Salvatore Sciarrino Opera Luci mie traditrici at the Salzburger Festspiele. In 2009 he composed the music for her film Fata Morgana which was premiered at the Teatro La Fenice Opera House during the Venice Biannale. In 2011 he composed the music for her documentary film “Moonmirror Journey” which premiered in Berlin. In 2001 he composed music for the German Theater (Deutsches Schauspielhaus) in Hamburg, working on Maria Stuart by Schiller and Arabische Nacht by Schimmelpfennig. In 2006 and 2007 he was musical director of the Earth Festival in Kenya which featured a large cast of international musicians, including Huun Huur Tu. In 2008 he performed with David Sylvian on the “World is Everything” tour. Since 2006 he teaches a yearly masterclass on Mount Pilion in Greece in the village of Agios Lavrentios. His course “The G-string of Pythagoras” fuses saxophone, just intonation, ancient music theory, and improvisation. In 2008 he was assistant director at the Salzburg Festspiele of the Opera “Luci Mie Traditrici” by Salvatore Sciarrino. In 2012 Chisholm was featured in the feature documentary Sound of Heimat – Deutschland singt directed by Arne Birkenstock and Jan Tengeler. In the film, Chisholm travels through Germany and explores authentic forms of German folk music. In 2013 he released a 13-CD Box set 13 Views of the Heart’s Cargo which presents his most important recordings dating back to 2001. The first CD in this box, Love in Numbers, features works for saxophone in which Chisholm explores the Fibonacci series as it manifests in the overtone series. In 2015 Hayden Chisholm contributed to Waywords and Meansigns, a collaborative project setting James Joyce’s Finnegans Wake to music. Hayden is a member of the quartet Root 70 with trombonist Nils Wogram. In 2018 Chisholm was a finalist at the New Zealand Jazz Awards in the Recorded Music NZ Best Jazz Artist category.
Clara Gervais was born in Marseille and studied there before further studies in Paris, Prague, San Sebastinan and Basel. She was especially influenced by her teachers Emilie Cillol and Wolfgang Güttler. She plays music from Baroque to Modern as well as having strong interests in Jazz, Folk and Improvisation. She has performed under directors such as Pierre Boulez, Peter Eötvös, Beat Furrer, Gottfried von der Goltz, Jürg Henneberger and Andrea Marcon. She is a member of La Cetra Barockorchester Basel, the Trio La Banda Ki and many other groups and orchestras. As well as playing the bass she is interested in composing music and writing poetry.
Photo by Thomas Plattner
Elena Margarita Kakaliagou is a greek-austrian french horn player and performer, currently based in Berlin. Starting out with piano lessons, she moved on to the French horn at the age of 18. After completing her studies in Athens/GR with Vangelis Skouras, she moved on to KUG-Graz/AT to continue her education under the teaching of Hector McDonald. Instructed by Erja Joukamo-Ampuja, Elena obtained her Master’s degree from Sibelius Academy/FI in 2010 in French horn and chamber music. During her career, Elena has received scholarships from Klangforum, Impuls Academy and Ensemble Modern with teachers like Mike Svoboda and Bill Formann.
Elena’s field of specialization is free improvised and contemporary music, next to classic chamber music. She has performed premiers with ensembles like Ensemble Linea, Schallfeld and KNM Berlin in Festivals like Ultraschall Berlin/DE, Maerz Music/DE, Randspiele/DE, Musica Nova/FI, Lá-bas/FI, Musica/FR, Warsaw Autumn/PL, New Adits/AT, Ultima/NY, Kaleidophon/AT, newadits/AT, Tour de Babel/FR, Sound Live Tokyo/JA ao. She has worked with individual artists as Riikka Innanen, Phill Niblock, James Andean, Ingrid Schmoliner, Katharina Klement, CC Hennix, Robin Hayward, Simon Martin, Matias Guerra, Thomas Noll, to name but a few. Elena is the co-founder of the Helsinki-based ‘Rank Ensemble’, the Austrian trio ‘PARA’, the Duo Kakaliagou/Schmoliner, the Duo Guerra/Kakaliagou and is a member of Zinc & Copper, Zeitkratzer and the ensemble of CC Hennix.
Bakr Khleifi studied Oud with Prof Ahmad El Khatib in Sweden. He studied double bass with Nabil Shehata, first double bass player of the Berlin Philharmonic Orchestra. Bakr Khleifi graduated from the University of Gothenburg in 2012. At the early age of twelve he was already invited to perform with the West-Eastern Divan Orchestra founded by Edward Said and Daniel Barenboim. He became member of the orchestra in 2008. He presented his first Solo Oud Concert at the University of Gothenburg in May 2012.
At the age of four, Gareth Lubbe received his first musical training on the piano and the violin. At the age of nine, he made his debut as a violinist with orchestra in Johannesburg; He won numerous prizes at regional and national competitions. He also appeared as a pianist with the Radio Symphony Orchestra of the SABC and conducted the Johannesburg Symphony Orchestra. Between 1995 and 2001 he studied violin at the Musikhochschule Köln; He was also taught by the Alban Berg Quartet. After the diploma he joined the viola studies at the Musikhochschule Lübeck with Barbara Westphal. In 2006 and 2007, Lubbe worked as solo violist in the Royal Flemish Philharmonic in Antwerp under Philippe Herreweghe, before he worked as a solo violist in the Gewandhaus Orchestra in Leipzig. As a soloist and chamber musician he worked worldwide. Lubbe performed with the Mahler Chamber Orchestra on the solo viola under conductors like Claudio Abbado and Daniel Harding. In the field of chamber music he worked with Claudio Bohórquez, Daishin Kashimoto, Alexander Lonquich, Fazıl Say, Adrian Brendel and Baiba Skride. In the ensemble “Yellow Sound” he interpreted works of contemporary music. He also occupied himself intensively with New Improvisation Music. He has also performed with the New Zealand saxophonist and composer Hayden Chisholm, as an overtone singer, in many parts of the world. Lubbe, who also sings on other occasions, also wrote theater music for the Deutsches Schauspielhaus Hamburg. Lubbe was appointed Professor of Viola at the Folkwang University of the Arts in 2013.
Ziad Rajab was born in Aleppo, Syria, to a Syrian mother and a Palestinian father. Both his mother and his grandmother played the oud and it was from them that he received his first lessons. Later he studied under Bahjat Durmosh and the great Arab music theorist (maqam) Rashid al Sufi. He made his professional debut in 1983, playing with Sabab al arube, a group affiliated to the Aleppo Fine Arts Association, and went on to play the oud with other musicians and singers from Aleppo at various Syrian festivals. Since 1988 he has made his home in Greece, in Thessaloniki, pursuing his own lines of musical inquiry, taking part in concerts, and playing at: WOMAD (2002) The Samothraki World Music Festival (2005), The International Oud Meeting organised by En Chordais, Thessaloniki (2002), The Agios Lavrentios Music Village, Pilio (2008), The Thessaloniki State Conservatory (1997), The Thessaloniki Concert Hall (2016), The Athens Concert Hall (2008, 2017). He has also played abroad: Helsinki Festival in Finland (1993), Belgrade Guitar Art Festival in Serbia (2005), Italy – Scala di Pescara (2007), Italy – Errichetta Festival (2015), Germany – Moers Festival (2015), Austria- Jazz and the City (2015), Serbia- Belgrade State Radiotelevision (2017), 1989-1990: „Labyrinth“ (Conductor: Ross Daly). In 1993 Ziad composed music for a production of Albert Camus‘ The Plague by the Finnish Broadcasting Company (YLE), which was later also presented by the Swedish Broadcasting Company (SR). He has collaborated with many musicians and singers, including Ross Daly, Yorgos Dalaras, Glykeria, Vassilis Soukas, Haig Yazdjian, Loudovikos ton Anoyion, Sokratis Malamas, and Eleni Tsaligopoulou. In 2000 he brought out a CD titled Mawjet Tarab. Between 2017 and 2018 he has worked as a Music Educator and Instructor for Music Instrument Making with refugees under ARSIS NGO. Ziad has given seminars at the Aristotle University of Thessaloniki and the Agios Lavrentios Music Village on Pilio and master classes for the En Chordais cultural organisation. He also offers oud lessons at beginners and advanced level oud players. In 2014, he gave a lecture at the University of Vienna on the Arabic theoretical music system (maqam). Ziad has been making and repairing ouds since 1994 and has made dozens to date in his own workshop. Using the finest wood and with the quality of the sound as his main priority, he is always looking for new construction methods and approaches in a constant quest for aesthetic and acoustic perfection.
Olaf Rupp (*1963) plays Improvised Music on the acoustic and electric guitar. The organic flow of his music is guided neither by chance nor by dominant, willful decisions. To him the same level of focus and attentive energy should be present in loud and fast music as well as in softer, more subdued kind of playing. In all his music he explores how motion-clusters can be perceived as one agglomerated sound in motion. This means that every note is a dot in a higher matrix and its color is more important than the position of that note in any hierarchic classification system. So a sequence of notes creates a moving sound, not a melody. And the intrinsic color of every note is more important than the melodic or harmonic burden which the listener may or may not put on it. Besides many cooperations five solo albums are published so far on the labels FMP, RELATIVE PITCH, GROB and GLIGG. Olaf Rupp has been touring in many countries and performed with extraordinary musicians such as Paul Lovens, Tristan Honsinger, Peter Brötzmann, Butch Morris, Lol Coxhill, John Zorn und Tony Buck. He is an outstanding solo performer both on electric and acoustic guitar. Important groups are among others XENOFOX, his duo with Rudi Fischerlehner, a Duo with cello player Ulrike Brand, and WEIRD WEAPONS with Tony Buck and Joe Williamson.
Daniel Schröteler (born August 17, 1974 in Düren) is a German jazz drummer. Schröteler, who was given a first drum at the age of five, studied jazz at the Hogeschool voor de Kunsten (Arnhem University of Arts) from 1990 to 1997. From 2000 he taught drums and rhythm at the Johannes Gutenberg University in Mainz, from 2002 to 2003 he also taught in Arnhem. Since 2003 he works as a freelance musician. Schröteler is a member of various bands, such as the Christian-Weidner-Trio, the Henning-Berg-Quartet, the Werner-Neumann-Quartet, the Matthias-Haus-Ensembles and the groups Supdiver (with Niels Klein, Frank Wingold and Dietmar Fuhr), TITZ (by Christoph Titz) and Talking Jazz (with Till Brönner, Dieter Ilg, Charlie Mariano and Martin Sasse). In addition, he also worked in a duo with Antonis Anissegos, with Hayden Chisholm’s The Inflictor and with Marla Glen. With Philipp Gropper, Philip Zoubek and Petter Eldh he formed the band Tau. Since 2016 he belongs to Tobias Christl’s poachers. He has appeared at jazz festivals in Germany (including the Leverkusen Jazz Festival and Moers Festival), in Maastricht, Bilbao and Benoni (South Africa) and toured the Netherlands, Spain and Africa on behalf of the Goethe-Institut.
Mevan Younes (Buzuq) studied at the Conservatoire in Damascus with the Azerbaijan professor Askar Ali Akbar and specialized in Buzuq. He also attended workshops with Turkish lute player Najati Chelick, Fawaz Baker and lute players Ayman Jesry and Mehmet Bitmez. He has performed extensively in Syria and abroad and is co-founder of a music group with a focus on music traditional Syrian music. The project achieves the performance of rural and urban music traditions in Syria not only in the traditional way, but also with their own perspectives, which at the same time reflect the musicians’ own abilities. After his escape Mevan is in EuropeConcert tour in Denmark with the project “Syrisk Kulturkaravane” (2015) -concert in the Berlin Philharmonic with piano and percussion accompaniment (2015) -Solo piece with accompaniment of the Youth Symphony Orchestra Bremen (2015).